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Didn’t know the season 33 premiere of Dancing With The Stars unexpectedly appeared as a full show episode on one of the unofficial YouTube channels the other day where everyone including myself were finally able to watch it for those living outside USA & Canada. Gotta say it’s about time having watched several bunch of Australia’s own DWTS before but this US DWTS sets the standard better that is unmatched than any other dancing show. 

It’s been a spectacular start by the way with the likes of USA Rugby 7s women’s star IIona Maher & actor Eric Roberts (sister of Julia Roberts) as one of the contestants alongside professional dance partners Alan Bernstein and Britt Stewart respectively with AFV’s Alfonso Ribiero & Julianne Hough (co-hosts) steering the ship as always. I know Roberts from that 2011 ABC dance drama pilot called Grace which is available to view on YouTube while Maher has won many hearts of including the Rugby world following her team’s bronze medal win at Paris 2024 a few weeks ago over Charlotte Caslick’s Aussie 7s team.

Sure, the performances by Maher and Roberts may not the best they would’ve liked but at least both did their best (Maher 8th & Roberts 13th/last) when many others went on to top the leaderboard. Although next week’s Episode is going to be huge where the bottom two performing couple contestants will have bow out the ballroom that could spice things up as the weeks go by until at least the end of November. 

For those who want to see what the DWTS is like as a full-length episode, go to YouTube while you can before the creator is going to take it down before anyone notices it without getting caught with a strike warning, etc. Here’s hoping ABC Network management can put this up as a full-show episode of each one one day after the original airing is over on their official DWTS YouTube channel like they do for their news department such as Good Morning America, The View and World News Tonight with David Muir,

As someone who has been regularly tuning in to General Hospital on YouTube for a few years now, here’s also hoping ABC can do the same by making this available (same day episodes) to everyone outside US & Canada on their official GH YouTube channel as well – since almost no TV station back in Australia wants it much like a few other original ABC US shows – despite seeing all other US soaps legally available at least through 10 & 10 Play online. Although it seems they’re currently doing this on Facebook but only for the last five minute parts of each episode on weekdays (or Tuesday-Saturday from our end).

And for those who want to get more of DWTS, you can look out for each couple contestants’ dance performances a few times during each mid-week episodes that will come out as individual clips. That’s the only best bet you can do as an overseas DWTS fan/viewer & for those living in US/Canada, you can look back the season premiere episode at anytime on Hulu & Disney + with episode two next Tuesday between 8-10pm ET on ABC & Disney +.

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The US version of the original French hit crime-comedy drama Haut Potentiel Intellectuel has finally made it on the big ABC last night called High Potential when the series was first ordered 18 months ago and then the writers’ and actors’ strikes have put them on hold until the start of this 2024/25 TV season. But glad to hear the feedback turned out to be really good by their audience with little to no negativity so far across social media that should really translate into their season’s ratings success right from the word go ahead of episode 2 next Tuesday straight after Dancing With the Stars at 10pm ET/PT.

High Potential is led by Kaitlin Olson as Morgan Gillory alongside Daniel Sunjata as Adam Karadec (good to see US’s HPI put his first name on it rather than being just known as Karadec) including Javicia Leslie (Daphne), Judy Reyes (Selena) as well as Garret Dillahunt (Melon) & Taran Killam (Ludo Radovic) – such a strong cast to pull off likewise with the French show.

Some of the setting we saw there for the pilot episode does look like the one we first saw on social media from 18 months ago when ABC was putting them in pilot mode against several other dramas like Judgement, The Hurt Unit & even a Good Doctor spin-off called The Good Lawyer.

Although the pilot filming location was in Vancouver, Canada at the time before US’s HPI relocated its set to LA’s Fox Studios earlier this year since they’re allowed to film more episodes that covers season one (think it’s 10 episodes for fall). 

However, what we do really know is that US needs someone who can be like Morgan the mom of three & an unconventional crime solver from sweeping floors — and yet High Potential didn’t disappoint anyone so far along the way as we shall see how this ends up between now and the end of this year. 

We can also think HPI (first half season) and The Rookie (second half season) are going to be a great match to pass over the baton or even air alongside each other at some point that can power up some crime-solving fun on Tuesday nights if High Potential gets renewed for season 2 & The Rookie gets to stay on for a possible 8th season ahead of the 2025/26 season.

We can even see some comparisons there when it comes to pitting US’s HPI v The Mentalist (CBS) that ran from 2008-15, one of ABC’s former shows in Castle from 2009-16, Sherlock Holmes’s inspired Elementary (CBS) between 2012-19 & don’t forget Bones (FOX) too from 2005-17. All of those shows had great success that ran for a few great years before they ended things at the right time and no doubt High Potential can follow this path without any bad reason at all following their debut on-air pilot episode.

Congrats to the behind the scenes crew like Drew Goddard & its creators on the original HPI show on making this happen that wowed ABC management while it’s great seeing some actors/actresses back on TV after all this time when a few others from other failed pilots that didn’t make it had to move on as you never know what could happen in the TV business. If you want to give US’s HPI a shot then why not head over to Hulu & all you need is a subscription to start watching at any time. Sure the same will apply with Disney + (can’t find a release date there just yet) for those outside the US/Canada.

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Here’s another new ABC multi-camera comedy proposal they’ve just struck earlier today thanks to a deal with Ellen Kreamer & Sherry Bilsing Graham (who were both part of The New Adventures of Old Christine executive producing crew that ran for five seasons between 2006-10 on CBS) as well as its Disney subsidiary A & E Studios (even though they mainly focus on dramas & it’s their first deal for comedy by the way), which is currently in development called “Sisters-In-Law”.

The plot is about is two sister in laws who initially struggle to get along together, finally get along together but probably at the wrong time when a third sister in-law comes into play. Both Kreamer & Bilsing Graham will be attached as executive producers alongside A & E’s duo of Barry Jossen & Tana Nugent Jamison. Interesting as no surprise there from ABC considering their push into bringing more affordable half-hour comedies that makes sense in front of a studio audience rather than go with single-camera sitcoms like it was for most of the last decade. So far there’s no word whether Sisters In Law will get a pilot presentation, a straight-to-series order or even quietly not proceed at all like we’ve found out with “Pine Valley” the other day (although an All My Children revival isn’t dead after all rumoured to be a TV movie series by Lifetime). 

But fingers crossed to see where this “Sisters-In-Law” project will land within 6-12 months time as per usual year-long development formula that the network is relying on these days rather than being drawn into a yearly Pilot Season competition while we do know Tim Allen’s new sitcom Shifting Gears will definitely be up & running early next year during the mid-season.

And having seen ABC won the rights to this project following stiff competition from their network rivals like CBS & NBC, let’s hope they can treat this well if they do at least want “Sisters-In-Law” to go straight into air and not throw them under the bus like they did to Avalon two years ago (also a previous A & E Studios project involving Jossen and Nugent Jamison under an initial under a straight-to-series order but was later rejected unfortunately after management watched the pilot copy).

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It’s been a long time coming for Grey’s Anatomy fans in Australia when the series was first aired on Seven Network for a number of years back in around 2006-2007 with updated episodes usually several months after the US. Although there wasn’t much hype though over the last decade before they eventually no longer hold any rights of the ABC (USA) flagship prime-time drama as of early 2021. Fortunately, Disney + has picked up the pieces from here where episodes were being a few weeks old in recent seasons and now they will get same-day episodes access as the original US airing including their New Zealand subscribers ahead of Season 21 – which will begin on Thursday 26th September/Friday 27th September here.

Don’t know what time Disney + will drop off these same day Grey’s episode each Friday from this upcoming season (definitely not at the same time as the ABC airing on TV which would be 10pm either side of the US/12pm either side here/2pm either side of NZ), but it’s likely to be around between late afternoon to early evening when the next day on-demand new episodes end up on Hulu as per usual with other ABC scripted prime-time shows.

Sure, times flies so fast with Grey’s over nearly two decades considering the number of high-profile actor/actresses have came here and gone like Patrick Dempsey, Sandra Oh & Katherine Heigl. But it’s still a brilliant and iconic long-running show to watch with Ellen Pompeo still around mainly in a executive producer role alongside some occasional acting as Meredith including Chandra Wilson as Dr. Miranda Bailey and several others like Camilla Luddington (Dr. Jo Wilson), James Pickens Jr. (Richard), Kevin McKidd (Owen) & many more.

So glad to hear that Grey’s Australian fans will be able to catch up the latest from Sloan Grey Memorial Hospital in Seattle & its characters alike without having to wait weeks or even find spoilers online when you can simply wait just hours after the original US airdate/airtime going forward & it’s all yours to watch from home or on the go via Disney +. And wouldn’t it be great if ABC Signature (their studio production) finally updated their on-air ident at the same time of the new Grey’s season premiere with the same ABC on-air logo that was last revamped back in 2021 but they still kept the same branding despite this as we shall find out with ABC’s long-awaited new drama show of High Potential (adapted from France) by mid next week.

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Didn’t know Gina Rodriguez is getting yet another ABC gig off the back of her time with the Not Dead Yet sitcom as Nellie which was recently axed over the summer after two seasons. First of all post-NDY, she was the co-host of the brand new Lucky 13 game show alongside Shaquille O’Neal that began last month. 

Now she will be a regular in season 3 of the hit Will Trent drama ahead of its mid-season launch in around January-February that is also on the same network and the same 20th Television production.

She will be playing an Assistant District Attorney lawyer, who is new to Atlanta & may be forced to work with Will to solve gang crimes within the area, named Marion Alba. Interesting to see if he will stick with Angie (Erika Christensen) or go with Marion? We shall see in the new year as Gina will be there for some time in Atlanta just like Erika whom they are both both based in the West Coast over in LA.

Looks like she and Disney are going onto another level now and good for her getting more screen time on ABC both as actress and TV show host. Yeah, life won’t be the same for NDY when they had a great following as it would be great if this would’ve been kept elsewhere even on Hulu. Unfortunately, continuous poor ratings is not something ABC wanted to keep at the end of the day & therefore, they decided to end NDY after season 2.

But life with Gina goes on ABC with more Lucky 13 where they’ll have back-to-back episodes next week.

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So there we have it, ABC’s mid-season comedy line-up is all set with three rather than four shows going into early 2025. 

Abbott Elementary continues yet another full season (Currently on Season 4) at the halfway mark while The Conners’ 7th and final season begins at the same time with six episodes to go, and now Tim Allen’s Shifting Gears joins the party as the next new sitcom for ABC since the recently axed Not Dead Yet back in early 2023. In case you missed it, its about Tim’s persona Matt going through a personal restoration of his own on top of his successful restoration car business when his teenage daughter moves in alongside her teenage kids following her divorce on what is going to be a long ride together from here.

That means, Ty Burrell’s Shifting Gears pilot unfortunately didn’t make it into the network’s plans – so no series order from them. Thought they would be up there after a year of in-development alongside someone who is well known for Modern Family before being given a pilot order a few months ago. 

But then things began to go downhill I’m afraid when it comes to the pilot presentation after management got the chance to watch this for an assessment. 

Although some of the bits and pieces were not bad including some crucial tweaks, such as the re-cast of Hank’s son in a bid to appease management. But again, the plot when being added on a video tape copy just couldn’t quite translate what the network wants to offer to their audience for TV. 

It would’ve been great if a sitcom like this be on any one of the TV networks out there to tackle dementia in a positive way had this gone into a series for mid-season.

At the end of the day, it’s ABC’s decision – who doesn’t sound confident on showing a sitcom that would potentially upset some of the audience – about someone having dementia & wanting to make memories while he can that affects the elderly. 

Especially when Forgive and Forget was filmed in front of a studio audience which is something the network wants to do to cut costs going forward. Probably another reason why Burrell’s project didn’t do well when his Modern Family success was via single-camera. Maybe ABC would’ve gave them another chance there instead in a different format, but then they’re less reliant on single-camera comedies & more into drama and reality/unscripted as said with their $$$.

To those who had the chance to watch the pilot, glad you saw it whereas the TV audience may not be able to ever since it’s going to be archived in a warehouse vault. But you never know what’s going to happen since these failed pilot lifelines being picked up by other networks are very rare as 20th Television is not forgiving and forgetting this one just yet.

And on Shifting Gears, we all know having this star power cast alongside a killer script/plot for Tim Allen’s next TV gig was easy enough for ABC to bring them in following their pilot presentation last month. Sure, it’s almost like a straight-to-series as always where their selection process is based on quality than quantity – see High Potential as a reference from early last year based on the hit French police dramedy, while they also had some off-set changes lately likewise with Burrell’s latest pilot. 

But this is a project that’s still highly well regarded just to make sure all systems can go for the network to begin foster a good relationship with the viewers via Allen once again like it was in the past when you look back at Home Improvement and later Last Man Standing.

What will look like as said with their 2025 mid-season schedule, mainly on Wednesdays, is maybe they’ll start with 60-90 mins on reality from 8pm followed by 90 mins of comedy and maybe another half-hour from elsewhere.

That’s the plan going forward as keep an eye out on Shifting Gears over the next few months such as the key art, logo, pictures and the first look promo before they will finally make it on the air early next year. For now, congratulations to Allen with the call-up once again as we look forward to see him return to the Disney family on ABC & 20th Television soon enough.

Note: The Shifting Gears logo above was maybe via a pilot presentation screenshot on IMDB as this may not be the official one being implemented by ABC but we’ll see.

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USA’s version of the HPI TV show High Potential not only has a premiere date earlier this week of Tuesday September 17th at 10pm right after the new season of Dancing With The Stars with more to come weekly across several Tuesdays, but Kaitlin Olson fans (whose actress will lead the show as Morgan Gillery in the same way as Morgane Alvaro in France) and ABC viewers can watch the original HPI show from France right now on-demand via Hulu that was dropped off earlier today for those wondering what High Potential will look like when they will finally arrive on TV later this year due to last year’s labour strikes.

Yes, the original show from France would be probably up to their 4th season by now with the first three seasons being made available to US viewers at this stage as we don’t know how High Potential will turn out on the big ABC. Gotta credit to management though for discovering this show that was hit in France’s TF1 where they want HPI to give themselves a try in America and the ABC management loved it as soon as they saw the idea that followed up with a pilot copy under a star behind the scenes staff under Drew Goddard before it was approved as a series originally for the Fall cycle earlier last year.

In case you don’t know it which is similar to the US plot, it’s just Morgane while she was cleaning at a police station, she discovered she has a knack of solving crimes with an outstanding IQ of 160 – despite being divorced twice with three kids & has run-ins with police along the way when Morgane agreed to work with the station as a consultant. The characters there will have some similarities on what we will see for High Potential very soon – such as Morgane Alvaro (Morgan), Adam Karadec (Just Karadec, don’t know why), Daphne and Elliott (one of Morgan’s three kids but slightly renamed under Elliot with one T).

I just saw the original promo video of HPI from France’s TF1 and yes, I can see the exact same thing what Morgan does in both versions when they were both dancing and cleaning and then got into the habit of solving crimes once a unsolved crime folder was accidentally knocked down the ground that the Police couldn’t do while at dark all done by herself.

You can see how this goes for yourself on Hulu for those living in the USA here as well as Amazon Prime Video in Australia here as High Potential will be on ABC with Hulu on-demand the next day as well as on Disney + Internationally.

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While both current ABC comedy pilots may have finished filming their respective pilot presentations in front of a studio audience over the last week or two, there’s some key concept art for the opening sequence/intro finally being shown into the world of IMDB a day or two ago for one of ABC’s failed drama pilots from early last year called Judgement. It was a legal drama being made by Joey Falco who ran the reboot of Charmed from 2018 with actress Sarah Shahi as the main cast leader of this project in the form of her character Mia Bahari. You can tell by the title sequence of Sarah wondering with her eyes wide open on top of backdrops through the town of Washington DC (fictional setting there as the pilot was filmed in Atlanta, Georgia) as well as a series of wording such as “In the Supreme Court of the United States” & “United States Court of America” before you can finally see such a killer logo towards the end there in the wording called Judgement. That’s all to tell by its cover as the full pilot show access is only limited to cast members and behind the scenes staff involved unfortunately, not even going to a certain studio building would help to watch this pilot in-person either unless you’re really lucky. It’s only appropriate when showing off a piece of work like a part of your resume/CV as if you continue to seek your next opportunity.

It would’ve been a great promo for the public to see as if Judgement did make it into a series order but then the writers and later actors’ strikes have delayed pretty much everything for most of last year from April to October-November. Even if there wasn’t any revolt from people working behind the scenes in the scripted TV business, Judgement wouldn’t be given an advantage anyway when trying to get ahead of others like The Good Lawyer (also eventually being overlooked because the Strikes held them up for far too long). Yes, I understand about the split timelines part but then it’s 100% just about Mia whose professional reputation was on the line after being nominated for a seat in the Supreme Court off the back of her poor personal and love life other than what she did 15 years ago (was last year in fictional terms to its present day 2038).

So having an excellent line-up of cast members featuring team leader Shahi wasn’t bad alongside the key production art where the ABC management gave them some good grades which was largely well received, it’s just the plot when applying it in a pilot presentation from a year-long development script and its planned storyboards was something they didn’t like and therefore, Judgement didn’t make it at the end of the day. Although Judgement was given the chance to being given a lifeline by other networks following its original rejection by ABC but then these lifelines very rarely succeed unlike this one here. It’s not easy to make TV by first writing your story idea via a script, work with them for a year to make changes in the hope of making this script suitable for TV if you’re lucky, then assemble a cast and a location to film for a certain period of time hoping for the best by sending a copy back upstairs before you can finally go all in for the big screen if accepted – that’s life for y’all.

The good news is that the so-called “Pilot Season” most likely a thing of the past where it’s a bit like a knockout contest during February-March ahead of its final selections for the networks to showcase its annual May upfronts but it seems filming pilots where some go and some being eliminated and then archived in a vault or even all go and all not go isn’t changing anytime soon for now except FOX who nearly relies on straight-to-series orders off development scripts. I guess networks would want to double check everything first depending on axed shows and how these pilots would best fit their audience if they do make it as this kind of method have worked best for them across Fall and Mid-Season cycles in recent years.

Other than that, you never know when you will be able to watch an episode of Judgement one day if you’re lucky but 99.9% impossible. Judgement was produced by 20th Television alongside its Disney subsidiary studio ABC Signature and The Detective Agency as you can see it for yourself online at anytime on the pilot’s IMDB page here. And if you’re a huge fan of watching past pilots that never made into TV, I recommend you follow The Media Garage on both YouTube and Patreon. The same goes with JQ’s YouTube Channel here where they had tons of closing credit clips from various unaired TV pilots.

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So two of the ABC half-hour comedy pilots of 2024 is now up to the pilot filming stage recently with Shifting Gears already had their presentation over the past week which will be seen by management while Forgive and Forget has just begun doing it on their own before following the same process. As we all know, Shifting Gears is all about a father (Tim Allen) who run a successful classic car restoration business but needs time to try and re-connect with his long lost daughter who just moved into his house alongside her teenage kids. Forgive and Forget, on the other hand, has something to do with Hank (Ty Burrell) wanting to re-connect these memories with his son Ben while he can after he was unexpectedly diagnosed with dementia.

Yes, the decisions is still not yet been finalised but they’re getting there with first-look trailers and official photos expected to come out in 1-2 months ahead of an expected airdate going into the mid-season cycle in either January or February 2025. That’s where ABC will be able to bring it home with their Wednesday sitcom line-up where another top season of Abbott Elementary goes on as well as the last six episodes of Season 7 in The Conners before their end of era and maybe 1-2 new sitcoms coming in with both Shifting Gears and Forgive and Forget – should the executives be happy to give the green light.

According to today’s update from Deadline by Nellie Andreeva, it looks like both new sitcoms will certainly be going ahead into a series order this time around. Here are the reasons why:

  • Both sitcoms are in a multi-camera format that is cheaper for the network to produce as part of their plans going forward;
  • Both sitcoms have star names in their respective pilots such as Tim Allen (Home Improvement, Last Man Standing, Toy Story and The Santa Clause) and Kat Dennings (2 Broke Girls) for Shifting Gears as well as Ty Burrell (Modern Family) in Forgive and Forget;
  • Both sitcoms’ plots/scripts for the next prime-time cycle went well that is so fitting for ABC to roll both of them out going into the new year in place of Home Economics and Not Dead Yet whose shows have already been axed.

Yes, having both sitcoms going forward almost feels like a straight-to-series order but at least the network is taking their time that bests fit their audience on the the big ABC on TV and Hulu across on-demand/online thanks to their year-round development process when the traditional “Pilot Season” may be a thing of the past. So no more quick decisions as if it’s an elimination contest where they typically pick a couple for pilot, send back for the executives upstairs for an assessment and then some will get the chance while others be thrown out and have their copy being archived in a top-secret vault storage.

I also had a look of Shifting Gears’ IMDB profile page today and they too now got their intro title card off the back of their recent pilot taping as this might not be the show’s official logo if they were given a series order but you never know. Watch this space as ABC is very certain to welcome two new sitcoms onboard (and both also under the subsidiary 20th Television umbrella) featuring two veterans of Tim Allen and Ty Burrell any minute from now over the next few weeks to months.

UPDATE 29/6/24: I also just saw the logo now of Forgive and Forget via Diana Maria Riva’s instagram page from a few days ago who plays one of the characters there (Hank’s ex-wife and shares an adult son together with Ben) on the other ABC comedy pilot. Likewise with Shifting Gears, they both come in a multi-camera format that has a studio audience/laughing track in it as part of the network’s plans to make these scripted sitcoms more affordable going forward. With that being said and as long as the pilot presentation goes well based on the script plot and its acting performance, this one will most certainly join Shifting Gears as one of ABC’s two brand new comedy shows during the mid-season mark in around January/February 2025.

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Yesterday, ABC has revealed its 2024-25 prime-time TV schedule with a couple of changes to its line-up where the long-awaited High Potential joins Dancing with the Stars on Tuesdays at 10pm while Dr. Odyssey is a straight swap for Station 19 on Thursday nights where they have sandwiched in between 9-1-1 (another of Ryan Murphy shows) and Grey’s Anatomy at 9pm.

We can see some of the original HPI elements being transferred onto the upcoming American version as her name is Morgan Gillery (French being Morgane Alvaro) who always has a lollipop, furry clothing, three kids, cleaning attire including gloves and most importantly, a good brain with an IQ of 160 we didn’t know she can solve crimes that the police couldn’t do.

On Dr. Odyssey or Doctor Odyssey, we can surely tell you that this straight-to-series order is coming through a cruise ship and isn’t turning back with more details happening on the inside at a later date. So rest assured we will see the first bunch of episodes being filmed with a plot, trailer and full line-up of cast and characters soon enough ahead of its premiere around September/October. Again, an easy pick considering Ryan Murphy’s 9-1-1 was a good move from FOX to ABC this year and the network wants to work with him more when Shonda Rhimes’s properties nowadays other than Grey’s is now on Netflix.

For the Wednesday side, it seems Abbott Elementary will be the only sitcom out there at 9.30pm for now as The Conners’ final six episodes will be set at the mid-season mark with The Golden Bachelorette kicking things off for 90 minutes. Then they went with a limited-series documentary about a mother faking cancer which is based on a podcast called Scamanda.

And Sundays will all be about The Wonderful World of Disney rather than celebrity game shows following America’s Funniest Home Videos with some Mondays expecting to be The Bachelorette when the network isn’t airing Monday Night Football.

All we need to find out now in the coming months whether or not if Shifting Gears and Forgive & Forget will be joining both Abbott and The Conners as chances have been increased to have two new sitcoms onboard, even though it’s still not yet guaranteed when this Wednesday line-up for Fall looks a bit different. That way, they can make 2nd half Wednesday line-up more structured for their sitcom slate while the remaining hour block would belong to a revival of Extreme Makeover.

Plus, it would be best if ABC Signature updates their logo to the current network one when the on-air branding was last changed back in August 2021 as well as its ident too at some stage. Surely, it will look good to kickstart HPI (yes, it’s called High Potential but still calling HPI when it was a original hit in France) alongside Grey’s Anatomy & The Rookie.

Speaking of The Rookie, yes, they might be left with the main show now that The Rookie: Feds was axed after just one year but they still have plenty to offer and starting off in the 2nd half would put this show back on the map after celebrating its 100th episode recently. So understand that this show needs a bit of a rethink in order to get back to basics rather than splitting into two different timeslots back in 2022-23 – like Sunday at 10pm during the Fall & Tuesday 8pm during the winter. Don’t know where they will end up going into the new year but yeah, better to have a consistent timeslot on a certain day for this.

Will Trent also staying where they are, who might not be ready to get a full season ride at this stage when they were also a huge hit right from the very start. But then they began during the mid-season year after year and they don’t wanna change that isn’t broken that might see them fall on the wrong path going into Season 3. Again, we understand that tactic as well.

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